So as I send the latest draft of CHERRY MONEY BABY to my editor, I’m remembering that I started writing the first draft last Labor Day, in a cafe on DeKalb Ave., listening to Goldfrapp’s Supernature album. Listening to it again, I realize those songs sort of haunt CHERRY. (There’s definitely an Alison Goldfrapp / Lady Gaga inspired character, who played a bit-part in GIRL PARTS.) I wonder if CHERRY would have its gaudy glitz without Ride a White Horse, and the opening scene was definitely influenced by the lonesomeness of Let it Take You. It’s like suddenly realizing you had an invisible co-author.