Historicals

Excellent review of THE FORBIDDEN ORCHID in Kirkus

Congrats to Sharon Biggs Waller on this fabulous Kirkus review.

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“Elodie narrates in a formal, 19th-century voice that manages to be witty and smart without calling undue attention to itself. A pragmatic young woman, Elodie’s struggle with the uncomfortable weather and terrain is as convincingly rendered as the conflict between her growing love for Alex and loyalty to her family. Historical details, including the liberal prescription of morphine and Britain’s patriarchal economy, lend rich, textural background.

Well-researched and filled with adventure, romance, and lots of tension—this work of historical fiction has all the elements of an intriguing read. (Historical fiction. 12 & up)”

You can pre-order THE FORBIDDEN ORCHID (which is coming from Viking this March) on Amazon, and Barnes & Noble, or check it out on Goodreads.

You can also find Sharon at her website, on Facebook, and on twitter.

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THE FORBIDDEN ORCHID Cover Reveal!

Just look at this gorgeous cover for Sharon Biggs Waller’s follow-up to A MAD WICKED FOLLY:

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THE FORBIDDEN ORCHID:

Staid, responsible Elodie Buchanan is the eldest of ten sisters living in a small English market town in 1861. The girls’ father is a plant hunter, usually off adventuring through the jungles of China.

Then disaster strikes: Mr. Buchanan fails to collect an extremely rare and valuable orchid, meaning that he will be thrown into debtors’ prison and the girls will be sent to the orphanage or the poorhouse. Elodie’s father has one last chance to return to China, find the orchid, and save the family–and this time, thanks to an unforeseen twist of fate, Elodie is going with him. Elodie has never before left her village, but what starts as fear turns to wonder as she adapts to seafaring life aboard the tea clipper The Osprey, and later to the new sights, dangers, and romance of China.

But even if she can find the orchid, how can she find herself now that staid, responsible Elodie has seen how much the world has to offer?

You can pre-order THE FORBIDDEN ORCHID (which is coming from Viking this February) on Amazon, and Barnes & Noble, or check it out on Goodreads.

You can also find Sharon at her website, on Facebook, and on twitter.

Pics, Posts, and Lists– Last Week’s Link Roundup

Screen Shot 2014-09-25 at 10.14.21 AMThis spring Sharon Biggs Waller‘s debut y.a. A MAD WICKED FOLLY was selected as one of Booklist‘s Top Ten Historicals. This week FOLLY is back on their list of Top Ten Romance Fiction for Youth. Go Sharon! [10.25.14 Update: MAD WICKED FOLLY just made its *third* Booklist Top Ten List!]

Courtney Alameda‘s mind-numbingly terrifying SHUTTER will pub from Feiwel & Friends in January, but in the meantime, here’s Courtney on Scream Queens with a fabulous article about creating better scares with compelling protagonists.

ByWz10UIUAAIaVo-1It’s an author’s (and an agent’s) dream to spot one of your books in the wild– but it really doesn’t get much better than these two young readers with Ryan Gebhart’s THERE WILL BE BEARS (Candlewick Press, 2013) and Hannah Moskowitz’s ZOMBIE TAG (Roaring Brook Press, 2011).

 

 

A MAD WICKED FOLLY on Amazon, Barnes & Noble, Indiebound, Goodreads
SHUTTER on Amazon, Barnes & Noble, Indiebound, Goodreads
THERE WILL BE BEARS on Amazon, Barnes & Noble, Indiebound, Goodreads
ZOMBIE TAG on Amazon, Barnes & Noble, Indiebound, Goodreads

Pub Stories: A MAD, WICKED FOLLY

At conferences I’m often asked What do you actually do all day? On camera, my job would look fairly boring: a Warhol-esque single-shot film of me staring at a computer, getting up every few hours to fetch a Red Bull from the office fridge… Truth is, what I get up to varies from week to week. Every book has a different story, from conception to sale to shelf. In my experience, there’s no real “usual way” a manuscript gets rep’d, sold, and published. The best I can offer is anecdotes. So here, for your enjoyment, is one book’s (ongoing) story:

I was sitting on my couch one Saturday afternoon, having just finished a four-hour marathon of the Masterpiece Theater program Downton Abbey. In case you live in a cave, and read this blog on printed transcripts winged to your dark little fissure by carrier pigeons, Downton Abbey is an immensely popular Edwardian soap opera following the lives of the aristocratic Crawley family, their romances, exploits, and financial disasters. It’s smart, sexy, and addictive.

Now, I’m of the opinion that young adult trends follow television and visual media. I’d seen twenty-somethings and teens swooning and speculating online over the Crawley’s romantic entanglements, and thought this needs to be a book, if it isn’t already. Waiting for a brilliant Edwardian y.a. to drop in my lap would take too long, so instead I tweeted I was in the market for a Downton Abbey for teens.

Sometime that evening, a freelance writer and farmer named Sharon Biggs Waller was scrolling through her feed and spotted my tweet. It just so happened she had an Edwardian y.a. she’d not yet been able to sell. In fact, historicals can be difficult to place; Sharon had shopped her manuscript, A MAD, WICKED FOLLY, before there was a swoon-worthy cult hit to compare it to.

Sharon queried me via my agency’s online form. The first line of her cover letter hooked me utterly. I mean, how can you not love this?:

London, 1909. When 17-year-old Victoria Darling poses nude for a forbidden art class, she gets dismissed from her posh French boarding school.

SOLD. I requested the full manuscript and read it overnight. I discovered Victoria was a bold, forthright, talented, passionate protagonist, ahead of her time and yet steeped in the attitudes of her era. The story had romance and high stakes, but on a deeper level, something I hadn’t known I’d been looking for: an examination of women’s suffrage, gender politics, and sexism that would resonate with a contemporary audience. It was a deeply-felt and socially relevant story wrapped in a delectable crust of Edwardian fashion and romance. Smart and sexy. Agent catnip.

The next day I called Sharon and offered representation. She agreed, we popped the metaphorical champagne, and I put together a list of editors I hoped would love FOLLY as much as I did (including a few editors who’d contacted me after I’d tweeted about signing Sharon- Twitter for the win, again). Responses began to roll in. Editors offered notes, some wanted to speak with Sharon directly. Particularly exciting was the afternoon I was away at a conference in Salt Lake City and had to keep excusing myself to “run to the bathroom,” dashing outside to field calls from excited editors, relaying that info to Sharon, then hurrying back to the conference in time for my phone to ring again (I’d switched my ringtone to the Downton Abbey theme song, for luck).

After some back-and-forth, we placed A MAD, WICKED FOLLY with Leila Sales, a brilliant editor (and y.a. author herself) at Viking books, an imprint of Penguin. After so many phone calls and emails, Sharon and I were able to meet in person last month when she came out to NYC for lunch with Leila and me. Afterwards I took Sharon for coffee and she pitched me ideas for future projects (one of which I so wish  I could talk about now. But soon, boy, soon.)

Now, Sharon is revising A MAD, WICKED FOLLY, which will be released by Viking in 2014. Sharon and I found each other via twitter, but I’ve picked up clients at conferences, via their blogs, at parties, and of course, through the slush pile. Every story is different.